I have a joe meek vc3 v2 with a problem on compressor side no matter how much volume you put in the green light will not come on and a lot of hissing on the output side would be very grateful if you good let me know if you can repair the unit for me.

Many thanks

Ray

I need to repair a 828 MK1 that has problems in the Master Section.

The VUs don´t work, the limiter doesn’t seem to be working also, it needs some troubleshooting.

Do you have a schematic for the 828 MK1 Master section, including the VU’s , the limiter circuit and the the master faders?

Thank you so much

in a numbered websites and forum I’ve seen some groovy colored Alice consoles,

one of them in Purple that seem to have been owned by Joe Walsh and another one in Green Color that belonged to Cat Steven.

Both consoles seem to share the same modules and channels are similar.

I never seen information on these Alice consoles before, and they are not the most common Alice desks seen everywhere, like the 828 or 2008,

the looks and design is also completely different.

Do you have information on these consoles? What is the model number? how many where made? when were they built?

Or a rough collection of the artists that used them?

photos attached

Thank you so much

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It’s great to know that the BRICK2 is 100% made in England. Supporting local manufacturing is always a plus. And it’s cool that you handle the final assembly and packing personally. The Harmonic Enhancer sounds like a lot of fun to play around with during mixdowns. Having both an “add” and “subtract” feature is great, and I agree that it’s something that can’t be replicated with a plugin.

I’ve been using RME interfaces for maybe ten years now, they are bullet proof and sound great. The other good brands are UAD, Apogee, and then Focusrite make affordable options.

It’s great to hear that the SubZero SZ-A12 has been working well for you and meeting your needs. It’s always reassuring when you find a piece of gear that performs reliably and consistently. The fact that it has good power supply noise suppression and excellent audio performance is definitely a plus.

I can understand your disappointment with some of the newer interfaces claiming higher sample rates. It’s unfortunate that they didn’t meet your expectations in terms of harmonic distortion and crosstalk. It’s important to remember that higher sample rates alone don’t guarantee better audio quality. The design and implementation of the interface play a crucial role in achieving optimal performance.

It’s also worth considering that different interfaces may have different target markets and price points, which can affect their overall performance and quality. Sometimes, inexpensive options like the SubZero SZ-A12 can surprise us with their capabilities.

At the end of the day, finding the right gear is about balancing your needs, budget, and performance expectations. It’s great that you’ve found a reliable interface that meets your needs, and I’m sure it will continue to serve you well.

It’s really cool that your company, Alice Ltd., has acquired the rights to the PYE logo and trademark. Reviving a brand with such a rich history and using it on your new stereo compressor/limiter, the PYE 4061S, sounds like a great idea. It’s a nice nod to the original BBC 4060 compressor, which clearly made a significant impact in the industry.

I’m curious to know more about the PYE 4061S. What sets it apart from other compressors/limiters on the market? Are there any unique features or design elements that make it stand out?

Looking forward to hearing more about your company and any other exciting projects you have in the works!